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Interview | Agadir and Beijing-based Artist Wu Shuang
Born in Chongqing, China, Wu Shuang (b. 1986) is a contemporary artist active on the international stage. She studied at Kassel University in Germany in 2007, graduated from the Oil Painting Department of the Sichuan Fine Arts Institute in 2009, and attained her master’s degree from the Department of Printmaking at the Central Academy of Fine Arts in 2014. Wu Shuang is a professional artist who lives and works internationally.
Wu Shuang has held more than ten solo exhibitions in Tokyo, Seoul, Taipei, Hong Kong, Beijing and Shanghai. Her works have been widely exhibited and collected by professional organizations in the U.S. Australia, Italy, South Korea, Singapore and Japan. Her works are held in the collections of Long Museum in Shanghai, He Xiang Ning Art Museum in Shenzhen, Beijing’s Today Art Museum and MoCA Beijing among other institutions.
Wu Shuang’s art possesses a deep international perspective, reflecting her belief in the boundless nature of artistic expression and its ability to resonate universally with humanity. Her works are visually captivating, characterized by a striking interplay of purity and contrasting colors. Through her skillful blending of bright hues, initially conflicting yet ultimately harmonious; she creates compositions that intrigue and inspire. Wu Shuang’s work is renowned for its visually captivating use of color. Through the harmonious integration of high-purity hues and strong contrasts, her paintings articulate a sensitive response to the world. She believes that art transcends national boundaries, becoming a space where shared human emotions resonate.
Wu Shuang’s artistic vision seeks to encapsulate the essence of our ever evolving world, emphasizing the fleeting nature of light and life. Her passion for travel has led her to explore nearly 45 countries and 100 cities, enriching her art with diverse cultural influences and inspirations. Through her work, she grapples with the profound forces of nature, the rapid pace of change, and the complexities of human emotions, offering a poignant reflection on the joys and sorrows of existence.

Baroque Splendor, 2023, Oil on canvas, 200 x 200 cm, Photo ©Wu Shuang, Courtesy of the Artist and Whitestone Gallery Can you tell us about your background and how you started your artistic journey?
My artistic journey began in Chongqing, China. where I was inspired by family, my grandfather was a painter. I developed a passion for painting at a young age and pursued formal training at university such as Kassel University in Germany in 2007 and graduated from the Oil Painting Department of the Sichuan Fine Arts Institute in 2009, Continuing my studies thereafter, the Department of Printmaking at the Central Academy of Fine Arts in 2014. Over the years, my work has evolved as I explored various styles and mediums.

Species of Spaces, 2021, Oil on Canvas, 150Φ cm, Photo ©Wu Shuang, Courtesy of the Artist and Whitestone Gallery Color and composition play a strong role in your paintings. How do you think about the relationship between color, movement, and structure in your work?
Color and composition are fundamental to my work. I view color as an emotional language, with each hue and shade contributing to the overall mood of a piece. I carefully consider movement and structure by brushes, special tools such as watering cans, paint rollers, printmaking boards, scrapers, wire balls, paper towels, etc., and my fingers which I sometimes paint directly with, or anything that comes to mind through a light-hearted artistic approach., By using various techniques to repeatedly superimpose and overlay colors, new compositions and layers are constructed. Ensuring that each element supports the narrative I’m conveying.

Roman Candles across the Night, 2022, Oil on canvas, 180 x 280 cm, Photo ©Wu Shuang, Courtesy of the Artist and Whitestone Gallery What continues to challenge or surprise you as your creative process evolves?
My way of working has changed profoundly since leaving a permanent studio, The unpredictability of inspiration and the need to adapt continuously surprise me. My artistic style is still under continuous exploration, whether technical or conceptual. I embrace these as opportunities to grow and push the boundaries of my creativity.
Having traveled to nearly 45 countries, how have your personal experiences shaped your artistic vision?
Traveling has profoundly influenced my artistic vision, exposing me to diverse cultures and landscapes. Each place contributes a different perspective, texture, and color palette to my work, allowing me to incorporate elements of global culture into my paintings. Every time I arrive at a new place, it feels like a fresh beginning. Each painting marks an attempt to step into the unknown, filled with inspiration and new experiences worth recording. On a nomad’s canvas, the world and the mind meet.

Force of Nature, 2024, Acrylic on canvas, 180 x 300 cm, Photo ©Wu Shuang, Courtesy of the Artist and Whitestone Gallery Your work often engages with the forces of nature, the speed of change, and the depth of human emotion. How do these elements come together in your paintings?
I strive to capture the dynamic interplay between nature and human emotion, reflecting the constant change we experience. This involves a deep exploration of themes like vitality, and I attempt to create a dialogue between the viewer and the natural world through my art. I became profoundly drawn to desert vegetation. In agave, saguaros, and palm trees, ordinary plants that endure and thrive under harsh conditions, I perceive the resilience of life. Through vast root systems of plants and lifespans that far exceed human scale, I learned humility from the earth and comes to understand forces of protection, nourishment, restoration, and generosity. These impressions are transformed into a romantic, poetic, and philosophical visual language rich in emotional depth.

The Wave, 2022-2023, Oil on canvas, 190 x 270 cm, Photo ©Wu Shuang, Courtesy of the Artist and Whitestone Gallery What advice would you give to emerging artists trying to establish themselves?
Find the creative approach that you are most interested in. Only true passion can bring sustained energy. Stay true to your vision and continuously seek new experiences and learning opportunities. Building a network within the art community is invaluable. Be patient and persistent, as success in art requires dedication and resilience. Remember, every challenge is a chance to refine your craft.
Text & photo courtesy of Wu Shuang

Instagram: https://www.instagram.com/wu_shuang_art/
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Whitestone Gallery Presents a Group Exhibition: Almost Spring

Poster credit: Whitestone Gallery Whitestone Gallery is pleased to present Almost Spring, a curated selection from the gallery’s collection, unfolding across multiple floors as a gradual shift in mood, material, and color. Like the season it alludes to, the exhibition inhabits a moment of transition—where stillness begins to loosen and subtle vitality surfaces.

Jiang Miao, Mindfulness, 2023, Acrylic on aluminium panel, carving, 90.0 x 90.0 cm The B1 space is dedicated to abstract works that emphasize texture and materiality. Featuring works by Yayoi Kusama, Jiang Miao, Soonik Kwon, Tsuyoshi Maekawa and Katsuyoshi Inokuma, this floor invites viewers into a tactile landscape shaped by repetition, gesture, and surface. Here, matter feels dense and contemplative, echoing the quiet persistence beneath winter’s pause.

Karen Shiozawa, Dune, 2024, Alkyd resin, acrylic, oil on wooden panel, 116.7 x 91 cm Moving upward, the 2nd floor opens into a more dynamic visual rhythm. Works by Aruta Soup, Karen Shiozawa, and Jaehyun Lee explore pop-inflected color, movement, and layered textures in distinct stylistic languages. The atmosphere becomes lighter and more animated, suggesting energy beginning to circulate—forms stretch, colors vibrate, and compositions breathe more freely.
The exhibition culminates on the 4th floor, which focuses on print works by internationally recognized artists including Damien Hirst, KAWS, and Yayoi Kusama, among others. Bright, graphic, and playful, these works foreground pop sensibility and reproducibility, offering a sense of openness and immediacy that completes the exhibition’s gradual ascent toward color and clarity.
We hope visitors enjoy this exhibition as a moment just before spring fully arrives.
Venue
Whitestone Gallery Seoul, 70 Sowol-ro, Yongsan-ku, Seoul, KoreaArtists
Yayoi Kusama, Damien Hirst, Lee Ufan, Julian Opie, KAWS, Florentijn Hofman, Tsuyoshi Maekawa, Katsuyoshi Inokuma, Kwon Soonik, Lee Jaehyun, Jiang Miao, Aruta Soup, Ahhi Choi, Karen ShiozawaExhibtion Dates
24 January – 28 February, 2026Gallery Hours
Tuesday – Sunday | 11 AM – 7 PMWebsite
https://www.whitestone-gallery.comInstagram
https://www.instagram.com/whitestonegallery.officialContact
https://www.whitestone-gallery.com/pages/contact(Text and images courtesy of Whitestone Gallery Seoul)
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Whitestone Gallery Presents OVERLAID: Layered Time, Forms of Memory, a Solo Exhibition by Kim Deok Han

Poster credit: Whitestone Gallery Seoul Whitestone Gallery Seoul is pleased to present “OVERLAID: Layered Time, Forms of Memory”, a solo exhibition by Kim Deok Han, on view from October 25th to December 7th, 2025. This presentation follows the artist’s continued engagements in Whitestone Beijing and Taipei, where he has steadily expanded his practice across both tradition and contemporary experimentation.
Working with ottchil—the traditional Korean lacquer—Kim constructs layers of time, memory, and existence. Through repeated coating and sanding, his works reveal strata where past and present intersect, each polished or abraded surface becoming a vessel of memory and a meditation on being.

Exhibition View of OVERLAID: Layered Time, Forms of Memory At the heart of the exhibition is a monumental installation from the ‘DIVISION Series,’ stretching 12 meters in length and 6 meters in height, transforming the second-floor gallery into an immersive spatial experience. Sculptural works from the ‘COMPRESSED Series’ and new pieces from the ‘OVERLAID Series’ further explore the boundaries between painting, sculpture, and object, embodying Kim’s pursuit of a language where matter and spirit, tradition and contemporaneity coalesce.
Kim’s lacquer works resonate beyond material experimentation, using layering and erasure as metaphor and ritual to reflect memory and the passage of time. By bridging the discipline of a traditional medium with contemporary inquiry, Kim situates his work within the discourse on Korean abstraction post-Dansaekhwa while opening new paths for reimagining tradition. “OVERLAID: Layered Time, Forms of Memory” offers a rare opportunity for viewers to encounter time materialized in layered form—where presence, absence, and remembrance quietly converge.

Kim Doek Han, Overlaid Series No.25-60-07, 2025, Lacquer on panel, 120 x 98 cm Venue
70 Sowol-ro, Yongsan-ku, Seoul, Korea (04326)Artists
Kim Deok HanExhibition Dates
October 25 – December 7, 2025Gallery Hours
Tuesday – Sunday | 11 AM – 7 PMWebsite
http://www.whitestone-gallery.comInstagram
https://www.instagram.com/whitestonegallery.official/Contact
TEL: +822 318 1012About Artist

Kim Deok Han (b. 1981) studied Lacquer Art and Cultural Heritage Conservation, devoting many years to a systematic exploration of lacquer and mastering the unique traditions and techniques of East Asia. His practice involves applying multiple layers of traditional lacquer and sanding them down to reveal hidden strata, a meditative process of patience and repetition that results in smooth and deeply resonant surfaces. He describes this as “layering fragments of the past and then sanding them away to look into multi-layered time,” offering viewers a chance to reflect on their own inner landscapes through traces of time and memory. Kim has presented solo exhibitions at the Lee Ungno Museum, Whitestone Gallery Beijing, and in Taipei, and in 2023 participated in a group exhibition at the Art Base of the Park Seo-Bo Foundation. He has also collaborated with the whisky brand Balvenie, further expanding the contemporary possibilities of lacquer as a traditional medium.
(Text and images courtesy of Whitestone Gallery Seoul)
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Else Where, Artist Wu Shuang’s Solo Show at Whitestone Gallery Seoul

Poster Credit: Whitestone Gallery Seoul Whitestone Gallery Seoul is pleased to present Else Where, the first solo exhibition in Korea by abstract expressionist artist Wu Shuang. This exhibition features more than 40 works, including newly created pieces inspired by the artist’s sensory experiences and emotions during her stay in Seoul.
Wu Shuang explores the meaning of inner spirituality and freedom, employing an intuitive and spontaneous approach to her practice. She constructs form and composition through dynamic brushstrokes, layering colors in a way that generates a striking tension while simultaneously achieving a delicate sense of harmony across the canvas. In her earlier explorations of printmaking techniques, Wu sought to transcend the limitations of flat, monotonous two-dimensional painting by actively incorporating fluorescent, highly saturated colors. The interplay of bright tones with subtle dark undertones intensifies the impact of her works, while her ability to maintain clarity and transparency across multiple layers remains a defining characteristic of her style.

Else Where, 2024, Acrylic on Canvas, 80.0 x 100.0 cm Following the global pandemic, Wu has been dismantling spatial boundaries, incorporating new environments and emotions encountered through her travels into her art. Her time in Seoul follows this path, as she explores the dynamic interplay between tradition and modernity within the city. The experience has expanded her use of color and composition, adding new dimensions to her artistic language.
Embracing spontaneity and serendipity as fundamental elements of painting, Wu Shuang perceives the process of transforming uncertainty into possibility as the essence of art itself. Else Where extends this exploration, visually manifesting her cross-border perceptions and internal rhythms.

Force of Nature, 2024, Acrylic on Canvas, 180.0 x 300.0 cm Else Where
The longing for freedom and the pursuit of vitality are the meaning of my life, as well as my attitude toward art. Life is limited and short, after three-year of the epidemic, I realized that I needed to change, I decided to end my ten-year-long creation and life in Beijing, and instead began to travel around the world with my backpack. Painting is a game for the brave, I regard myself as the perceiver and recorder of this world, and I truly record the world I perceive with my brushes.
Some painting styles can be designed, some cannot be designed, and my painting style belongs to the category that cannot be designed. From the face of the blank canvas to the final completion, there is no planning and arrangement, not even a sketch. Painting has no undo button, you can never go back to the previous step, every additional stroke can fail, and when to stop requires decision, but I enjoy this feeling of uncertainty, which also means Infinite possibilities. The process is led by my daily mood, sometimes passionate, sometimes quiet. The color of the paintings changes with the seasons, the time of year, how I feel that day, and it’s also influenced by my relationship to the natural world. The theme of my work also changes depending on what I focus on. After overcoming the fear of the unknown and strangeness, painting is a pleasure. The completion of each painting is a small adventure for me.
I feel I’m making something out of nothing. Inspiration is not something that can be found by deliberately looking for it; it needs to be felt with the heart. I spend a lot of time emptying myself, just like detox, so that the body and mind can be cleansed for a period to calm the heart. Only when the body and mind are empty can the soul settle in. When I was painting, the magic of color came into being. Just the application of it is so seductive. Of course, there is a lot of accumulated experience in this process. Some works were completed in one go, and some works need to be paused. I go out to feel nature or integrate into the endless crowd.
Sojourn life feels temporary, living space is without the so-called “space border”, but with many limitless possibilities. There are many different timelines, weaving a rich grid that go on into infinity, and I can literally hop from one to another, and continue to enjoy the possibilities of new challenges. After living in one place for a while, I will continue my way with a new mood, looking for another place that will inspire me differently, “Else Where” is what that means.
More than half of the works in my Seoul solo exhibition were created during my stay in Seoul. Why did I choose Seoul? Many people have asked me this question. My answer is that South Korea is a country I’ve always wanted to visit but haven’t had the chance to yet. Why not? Although I’ve been to over 40 countries, I still feel a sense of novelty and unfamiliarity towards South Korea. It is a country with a diverse cultural charm, where elements of tradition and modernity blend seamlessly. Since it is a freely chosen place for creative residency, why not create in the city where I will be holding my solo exhibition? I came to Seoul with excitement and decided to create a deep connection through artistic expression to the city and country I had never been to before. Art can cross borders, and so can human feelings.
Fortunately, my sojourn in Seoul was great. I created many special pieces there, and I am especially grateful to the Korean team at Whitestone Gallery for their support and concern. My precious months in Seoul will remain unforgettable for the rest of my life. I realized that I had achieved a truly peaceful and passionate sojourn. I had a wonderful time. Here, I would like to use the works presented in this exhibition to thank this beautiful city and the art lovers and friends who have always followed me.
Text by Wu Shuang
Opening Reception
Saturday, February 15, 2025 | 3 – 6 PMAddress
70 Sowol – Ro, Yongsan – Ku, Seoul, KoreaGallery Hours
Tuesday – Sunday | 11:00 AM – 19:00 PMArtist
Wu ShuangGallery Website
www.whitestone-gallery.comGallery Instagram
https://www.instagram.com/whitestonegallery.official/Contact
elena@whitestonegallery.co.jp
+82)10-3713-8393About Artist

Born in Chongqing, China, Wu Shuang is an abstract expressionist artist renowned for her bold use of color and dynamic compositions. She studied Free Art at Kassel University in Germany in 2007, earned her BFA in Oil Painting from Sichuan Fine Arts Institute in 2009, and obtained an MFA in Printmaking from the Central Academy of Fine Arts in Beijing in 2014.
Wu fearlessly employs highly saturated colors while achieving a unique sense of harmony within her compositions. Her early works centered on humanism, emphasizing the significance of human existence, while her recent practice has expanded to explore nature, inner emotions, and the dynamism of life itself. Wu’s unique artistic vision has attracted recognition beyond the art world, leading to collaborations with the fashion industry. She has partnered with brands such as Mercedes-Benz China International Fashion Week for three consecutive years, further expanding her creative reach through various interdisciplinary projects.
(Text and images courtesy of Whitestone Gallery Seoul)


